nataliaibanezlario.org a Project by Natalia Ibáñez Lario.
Today May 16th, opening at SOMA.
From May 1st till May 31st, 2012 at SOMA, Mexico City.
Modify, as needed, MOCA, Museum of Contempoary Art, North Miami, 2011, curated by Ruba Katrib
"Modify, as needed," installation view at the Museum of Contemporary Art, North Miami. Photo: Steven Brooke, 2011 (also pictured Darren Bader, Adriana Lara and Anders Smeybe)
Painting Palettes and Other Techniques of the Masters, Mexico city, 2012
EL ARTE ES PARA PUTOS, A project of Natalia Ibáñez Lario and Su Majestad Imperial Silverio, Camapaña MACO, 2012
Puto dícese del cobarde, del pusilánime.
BEST OF BEST OF BEST OF, Asociación Libre, Mexico City, 2012, organized by Patrick Alt and Marco Schmitt
15 minutos de FAMA, SOMA, Mexico City, 2011, a project in collaboration with Julián Lede / Silverio
15 minutos de FAMA, SOMA, Mexico City, 2011
Canon 4400, TWAIN, Generación 2011 Art Prize, La Casa Encendida, Madrid 2011
Exposé, TWAIN, Barcelona, 2010
Gallery Sheet, 2 acrylic boxes fluorescent pink and yellow, 29,7 x 21x 4 cm each, 2010-2011
Ken Burns @ CIA, Single Channel Vide, 5´03", 2010
Press Esc To Exit Full Screen Mode, 2010-2011
Fractal Philosophy (and the small matter of learning how to listen), TWAIN, Sant Andreu Contemporari, Barcelona 2010
AD/HD
Single channel, 11'47", 2011
El (Inter) National (Psycho) Geographic, Proyectos Ultravioleta, Guatemala City, 2010
C-Prints El (Inter)National(Psycho)Geographic
We are The World (Policies and Restrictions), TWAIN, 2010
Accidents Waiting to Happen, Live With Animals Art Space, New York, 2010
Totally Without An Interesting Name, Antigua Casa Haiku, Curated by Alex Brahim, Barcelona, 2009
C-Prints Totally Without An Interesting Name
New Abstract Movement, TWAIN, Barcelona, 2009
Creative Destruction Versus Restrictive Practices I, TWAIN, 2010
Creative Destruction Versus Restrictive Practices II, TWAIN, 2010
Medallas / Medals, Barcelona, 2010
